That is it for happy images. Reel after reel shows what the “liberation” really entailed in Majdanek, Auschwicz, Buchanwald, Bergen Belsen, Dachau: cleaning up the camps of tens of thousands of cadavers, urgently, to prevent disease and epidemic. We watch men hump one thin rubbery cadaver after another over their shoulders, and drag each, head bobbing, mouth open, across the dirt to fling into a mass grave. There are no coffins, no wrapped shrouds. The cadavers bounce as they land in the heap. We see in close up the caved in rotting faces of women and men, dumped around the camp, the emaciated survivors crouching nearby. The camera pans on German villagers, holding their noses with a handkerchief, as they are forced to walk through the camps, single file, and see what their regime had done. In some shots, we even have a soundtrack: the sound of low solemn voices, of birds twittering.

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